
GiGi FM on the trinity of Sound, Movement and Emotion
DJ, producer, and multidisciplinary artist GiGi FM invites listeners into a deeply personal world where sound, movement and emotion intertwine. In our interview with her, she opens up about her creative roots, her intimate home studio, and the inspirations behind her latest work on her own label, Sea~rène.
For GiGi FM, music has always been more than sound—it’s a space of freedom, expression, and deep emotional resonance. Raised in a musically rich environment, with both parents involved in bands and music-related professions, she was immersed in rhythm and melody from an early age. “Music was always in the house growing up… I started dancing, playing the piano, and singing when I was pretty young. It was my way of expressing myself as a hyperactive ADHD kid, and it became my safe space.”
That early exploration led to a strong foundation in both music and dance. She composed her first piano piece at age 10 and, though dance became a central focus, music remained a constant presence. The turning point came in her mid-20s when she discovered Ableton. “It became the tool that let me merge rhythm, movement, and sound design all in one,” she says. Self-taught in production but grounded in music theory, GiGi FM embraces an intuitive, rule-free approach to creating.
Her home studio is a reflection of that fluidity: Outfitted with tools like a Nord Lead 2, Eventide Crystallizer, and TC Helicon Voicelive 3 Extreme, it supports everything from production and vocals to poetry and sensor-based movement work. “It’s not just a sound lab—it’s my special pod where I can dream, move, think, and feel.”
When it comes to studio gear, clarity and neutrality are paramount. After switching from bass-heavy speakers to ADAM Audio studio monitors, she noticed a major shift in her workflow. “Since switching to the T5Vs and incorporating Sonarworks, my mixdowns have become so much clearer. I can trust what I’m hearing.”

Currently, GiGi FM is preparing a series of ambitious projects including a large-scale lakeside performance in Portugal, a new hybrid set titled “Cycles” for Nextones Festival, and an ambient live performance tied to an upcoming album of vocals and poetry, slated for release early next year. She’s also experimenting across genres and developing movement-driven installations that connect body, sound, and space.
Her hybrid performances begin with writing—mood, visuals, words—before evolving into layered soundscapes of field recordings, vocals, and granular textures. “The process is like setting yourself into a kind of trance. I burn incense, dance around the room, project visuals… and surround myself with post-its or books holding keywords, notes, or images.”
Balancing introspective studio sessions with high-energy live sets is key to her creative process. “Studio days give me emotional depth… Playing a powerful gig is like a burst of electricity. I need both to stay balanced—one fills me up from within, the other lets it all flow outward.”
Her upcoming “Virgo Space Acid” EP, releasing May 23 on her own label Sea~rène, encapsulates this balance. “It reflects a moment of emotional clarity, creative freedom, and healing. It’s raw, instinctive, and rooted in feeling.”
GiGi FM’s 5 Tips on how to stay creative while being on the road and out of your own studio
- Catch ideas on time: “Like David Lynch said so nicely, ‘Ideas are like fish. If you want to catch little fish, you can stay in shallow water. But if you want to catch the big fish, you’ve got to go deeper. Down deep, the fish are more powerful and more pure. They’re huge and abstract. And they’re very beautiful.’ When I travel, I stay connected to my mind and body. I will write down poetry, ideas, and thoughts. Anything that strikes me, the moment it appears, on a notepad or my phone. Those sparks can disappear quickly if you don’t catch them.”
- Sketch while in motion: “It links back to catching ideas on time. To me, it’s important to sketch it out quickly so it doesn’t swim away. And I love making music while I’m on planes, trains, or airports. The clouds, the passing passengers, and the time-restricted playful challenge. How much can I create with just a laptop and headphones? Many sketches begin on the go and later become full tracks in my studio.”
- Field recording: “I record sounds A LOT. The world around us has a rich texture palette. Capturing the quiet, the noise, the atmospheres of life. It’s a way to hold onto moments and turn them into sonic memories.”
- Connect through stillness: “The world moves so fast. Taking even five minutes to slow down, breathe, or meditate helps me reset and open up creatively. A foot injury this year reminded me just how important it is to recalibrate and let the body and mind sync up. We are not machines.”
- Follow the flow: “Whether I’m home or on the move, I try not to overthink the process. I focus on sketching what’s coming out of me without getting caught up in details. I often try to make a sound or play a synth as close as possible to what I’m hearing in my head, to match the color or emotion I’m reaching for but I don’t let that slow me down if it’s not quite ‘perfect’ yet. I’ll always come back and take the time to refine it later. The most important part is capturing the raw energy and emotional truth in that first moment.”